Showing posts with label Industry. Show all posts
Showing posts with label Industry. Show all posts

Friday, 6 December 2013

Jack Wills Final Presentation - Project Two


Here is the final presentation from our group brand 'Jack Wills' project that we made for project two of our first module. 



Here is the script we had with our presentation:
  • Jack Wills was founded in 1999 by Peter Williams and Robert Shaw in Salcombe, Devon.
  • The brand took British heritage-inspired goods and designed them for the University crowd.
  • They aim to make distinctive connections between the old and the new, bringing them together to make a statement about what it is to be young and fabulously British 
  • They take inspiration form the best of British; sporting, history and country pursuits.
  • The brand claims to use the finest of quality materials and techniques in tall areas of the process from design to consumer.
  • They focus on selling the lifestyle of a young, upper class University student, living the life of a socialite and sporting ‘blues’ at the likes of Oxford and Cambridge. Jack Wills reinforced this by launching their second, third stores in these famous university towns.
  • The brand now have 80+ stores, which includes locations near Americas Harvard and Yale University campuses and more recently, even in Hong Kong.
  • The company summaries this by saying Jack Wills creates fabulously British goods for the university crowd. Drawing inspiration from Britains rich history and culture”  All of these core ideas about the brand lead to their brand essence, Fabulously British.
  • We are now going to go through all the different sectors of the brand’s essence. The design equation of Jack Wills includes ideas about tradition, British culture; Union Jack, university lifestyle, the brand signature, the well known pink and navy stripes and the pheasant logo.
  • The brand values are stated by Jack Wills as: British, entrepreneurial, innovative, responsible and excellence.
  • The brand personality, we feel from Jack Wills, is that they are a high status, upper class, preppy, young brand.
  • The brand truth is that they are hitting a younger target audience then they aim for and this is may be harming their reputation as a university brand.
  • The attributes and benefits of Jack Wills are that once you purchase from them you almost become part of an elite ‘group’, this is demonstrated with the use of the signature clothing for example JW on a jumper. We feel that this relates to the society idea that universities use.
  • The brand promise reassures consumers with quality clothing whilst still maintaining the British heritage.
  • All of these ideas lead to the brand essence of Jack WIlls which we feel is being ‘Fabulously British’.
  • The brand does not necessarily have set iconic products, but is instead know for there items labelled with the brand signature and well known navy and pink stripes. Providing consumers with these types of products creates brand ambassadors that freely advertise the brand name. We feel that this has benefitted the brand as they only believe in advertisement via word of mouth.
  • However, more recently, these items have begun to give the brand a less desirable image and reputation, as the tracksuit and smaller items are becoming more and more popular amongst the younger generations and, in particular, secondary school children as these are the only products from the brand which are retailed at a more accessible price.
  • Therefore Jack Wills’ reliance on word of mouth could be an issue for them when their target market of university students is put off by the idea that the brand is more popular with younger people as this makes the brand appear to be less sophisticated.
  •  Jack Wills has always had a strong focus on heritage. The brand sees this a important part of being fabulously British, and uses it to reinforce their own true and traditional British roots.
  • One way in which the brand communicates this idea to the consumer is within the visual merchandising of their stores. Using everything from window displays and in-store layout to even the choice of the building itself. Many Jack Wills stores have even been intentionally placed within buildings that have some British history and heritage.       
  • An example of this is the Jack Wills store in Oxford, situated in the perfect location for targeting upper class University students. The building that houses the Oxford Jack Wills store dates back to the eighteenth century and was originally home to the Banker Mr. Edward Lock and his son Sir Joseph Lock, who both also served as the Mayors of Oxford in the late 1800s.
  • The stores location here has been vital to the brands success and expansions. The store here and in Cambridge have helped with the brands extension into sporting, allowing them to create their varsity sports matches within rowing and polo that bring together these two universities for Jack Wills events.
  • These events also have an impact on the store décor, as many stores have pictures and advertisements for these hanging on the wall…The image here shows an example of this from within the Nottingham store. 
  • The brands own heritage also plays a key role within their stores. They do this by using small details to reference the brand’s essence, core values and heritage. As you can see within these images the hangers contain the address of their first original store at 22 Fore St in Salcombe, Devon; as well as the brand signature/logo.
  • Here we have created a perceptual map to indicate where we see Jack Wills in the current market compared to its big competitors. 
  • Here is a list of Jack Wills competitors. Starting with Ralph Lauren and Tommy Hilfiger, we feel that they are competitors because they have similar brand values, visual merchandising and target consumer.
  • We also feel that Abercrombie and Hollister are fellow competitors due to the fact that like Jack Wills they do not advertise and are also aiming to sell a lifestyle as well as clothes. All three fall under the same price range for similar garments.
  • Zara, Topshop and River Island are at the lower end of the market (price wise) but are successful in reaching university students, this makes them a competitor to Jack Wills.
  • Here we have created a Consumer profile from the brands perspective, an ideal individual who is Fabulously British and would consume the brand because of their brand values and personality, as described within the brand essence model.
  • This type of consumer would encourage others in her social group to also wear Jack Wills, and would therefore be a brand ambassador.
  • Here are a list of communication touch points used by Jack Wills. As the brand rely on word of mouth many of the communication touch points come from social media.
  • To see where there was a need for change, expansion or re-marketing for Jack Wills, we decided to first look at our own opinions of the Brand. As we are within the target market of Jack Wills, we understand that our opinion was valid for this project.
  • However we still though it was essential to carry out a survey for some market research. We used survey monkey to collect our data and used this to come up with our conceptual idea.
  • We carried out a survey and asked 48 university students questions about their shopping habits and fashion choices. The results here show that the majority would not choose to shop in Jack Wills and are more inclined to shop at their current competitorsstores and the lower priced high street stores.
  • This has allowed us to see where the brands problem lies as they are not in the same market position as their competitors, even though this is where they believe they are.
  • Our concept idea is therefore to change this by moving the brands position in the market to place them in line with Ralph Lauren and Tommy Hilfiger as an elite outfitters.
  • This illustrates our ideas of moving Jack Wills further towards the high end market.
  • We have decided that we think a way of getting Jack Wills in to the correct sector of the market that they should make a collaborative collection. We feel that this collection should be with a famous British designer for example Vivienne Westwood.
  • We also feel to keep the brand up and coming that we should collaborate with a University fashion design graduate. Creating a new collection with an edge that designers such as Vivienne Westwood could create for the brand, would help to give the brand an original and a unique selling point.
  • We feel that by doing this it will create a new perspective for the brand and will create publicity, which will enforce the brands idea of using word of mouth as a powerful marketing and advertising tool. It will also help to reinforce the brands idea of British heritage and will target University students.   
  • We will launch this new collection by holding a launch party event.
  • We think that perfect location for this sort of event would be a country house such as Charsworth House in the Peak District or even somewhere closer to Salcombe/Devon where the brand started out. we think that this location is a  good idea because it steers away from predictable locations in London that would be the obvious choice for a British brand.
  • The event would have two halves… with different event: day/night. The day time events would include events such as: varsity polo, rowing, a hog roast, a fair, afternoon tea, clay pigeon shooting and croquet.
  • The evening events would include things such as: bands playing, fireworks, a Ferris wheel and other visual effects. The main event would be the catwalk show of all the new collection from the collaborations.
  • For the advertising campaign we would begin by adverising in High end magazines such as Vogue and Hapers Bazaar as this would help to raise the brands profile.
  • The new campaign would begin with adverts of the new collection which would help to raise awareness of the other clothes aside from Jack Wills’ iconic products.
  • We feel that the brand would benefit if the PR department sent out clothes in the respectable sixzes for celebrities such as Emma Watson, Keira Knightley, Ed Westwick and Robert Pattinson. This is because we think they are ‘Fabulously British’ well-known celebrities.
  • The advertising campaign, that we believe Jack Wills needs to invest in, could really help change their image and perception from the consumers perspective. To do this Jack Wills needs to raise the bar and present themselves as an elite and sophisticated brand with a more accessible price than the likes of Ralph Lauren and Tommy Hilfiger, who could easily become their competitors. 
  • However, to then sell themselves against these high end competitors, Jack Wills really needs to focus on their brand essence of being fabulously British and their values of heritage and innovation. This mixture could be the perfect selling point up against the British-mimicking brands such as Ralph Lauren.
  • This development of a stronger image for Jack Wills is something that can be worked on as a future project for the brand through several magazine advertisements.
  • There is also the potential to run a new collaborative club each year, in line with an annual launch party to keep up a strong, current, powerful, sophisticated brand.



Monday, 18 November 2013

Innovative Campaigns

Monday Lecture - Innovative Campaigns


The Past

  • All-American, wholesome advertising
  • Classic, Traditional
  • Set up of generic visual codes
INNOVATION

Began in 1959 with the VW Beetle 'Think Small' campaign, which followed in the early '60's with their 'Lemon' campaign.
  • The 'Think Small' campaign series was revolutionary within advertising and was voted the No. 1 advertisement of all time. 
  • The follow-up 'Lemon' campaign was equally innovative and used irony in a new way within advertising; resulting in the phrase 'Lemon' still frequently being used today.
  • These advertisements marked the beginning of postmodernist advertising. 

Following in VW's footsteps, Levi's released their equally postmodern 'Launderette' advertisement in 1985. This advertisement became hugely famous and influential, as has been used for copy-cat trailers many times. The original advert below feature Nick Kamen, a model, musician and songwriter; this marked the start of a trend within Levi advertisements of including attractive and famous men, most commonly models.


The Guiness Surfer advert from 1998 is another example of really creative and innovative advertising, and has also been recently named No. 1 advert of all time. It features their famous tag line 'good things come to those who wait' which has planted the fact that you have to wait 1 minute and 28 seconds for a Guiness to be poured firmly into our minds.




The Honda Cog (2003) advert is, again, a great example; following their tag line 'The Power of Dreams', the Honda team created an incredible piece of commercial film which took a staggering 6 months to film and, when it was finally completed, was filmed live in just 2 takes. The advert uses real car parts and no CGI. 


Sony Bravia advertising is another great example, this advert in particular (which is named 'bouncy balls' and was released in 2005) challenges original marketing methods, making it incredibly postmodern, due to the fact that the advert in fact includes no product placement or reference throughout. Instead, this advert simply sells an idea, a statement, that displays 'colour' in a new way to the audience. This, in turn, represents the brands position at the time at the forefront of new television technology, especially regarding colour, clarity and the HD revolution. The entire idea is summarised in the tag line 'colour like no other'.
Not only did this become a world famous advertisement, the music (Heartbeat - Jose Gonzalez) also became the most downloaded and listened too commercial track of all time. 
This simple, straight forward idea creates an evoking and emotional connection.


Sony's most recent advert is equally innovative and unique, showing their passion for this style of advertising (4K Detail - 2013)




The Present

Digital advertising allows for new, even more innovative ways to advertise and connect with consumers. An example of this could be the Skittles 'touch the rainbow, taste the rainbow' campaign. This advertising campaign created a whole new way to interact with the audience using pre-existing technologies, making it innovative, yet very inexpensive. This method gained Skittles a 78% increase in sales.



Friday, 15 November 2013

The Modern Consumer

Friday Lecture - The Modern Consumer

Pre-Digital Consumers

  • Limited choice/information/price/negotiation
  • Limited supply/dialogue/redress
  • Relatively powerless
  • Old marketing methods
Modern Consumer - The 'Smartphone' Influence
  • Connected
  • Active
  • Engaged
  • Mobile
  • Open
  • Impatient
  • Demanding
  • Powerful
  • Access to Information - brand/peer/structured/real time
  • Choice - greater supply/global market/faster manufacturing/improved logistics
The New Market
  • Two-way
  • Targeted 
  • Interactive
  • Reactive
  • Effective
  • Mobile
  • Fluid
  • Efficient
New Marketing Methods
  • Creating a dialogue
  • Informing not selling
  • Informed by consumers not marketers
  • Shared values - trust/integrity/authenticity/involvement/respect/community
Consumercentic Marketing
  • Social media
  • Art of the trench - Burberry - Photo sharing/brand ambassadors/set up in 2009/ http://artofthetrench.com
  • Mass Customisation
  • Democratic
  • Supportive
Principles
  • Facilitate conversation
  • Provide a platform
  • Offer access
  • Encourage participation
  • Enable storytelling
  • Provide information
  • Share learning
  • Reward involvement
Brand Objectives
  • Lead
  • Validate
  • Engage
  • Nudge
  • Support
5 Key Trends
  • Mobile
  • Video
  • Upgrade
  • Image
  • Social
BIG DATA
  • Wants
  • Needs
  • Profile
  • History
  • Time
  • Location
  • Connections
  • Incentive
  • Privacy
The Future Consumer
  • Technology - 3D printing/Nano
  • Authenticity
  • Immediacy 
  • Customisation
  • Resourced - sustainability/sharing
  • Ethics

Friday, 8 November 2013

Market Research and Trends

Friday Lecture - Market Research and Trends



  • Primary Research - original/own findings
  • Secondary Research - existing research

“Fashion used to come from one source at a time, be it the street, the runways or the entertainment business. The interesting thing about today is that influences come from high and low- everything from couture to Target.” - Michael Kors
TREND RESEARCH ANALYSIS
  • Short Term - Brand/Consumer/Competition/Media/Product
  • Long Term (PESTLED) - Political/Economy/Sociocultural/Legal/Technology/Environment/Demographics
  • Who uses Trend Research? - Product Designers/Managers/Graphic Designers/Buyers/Merchandiser/Marketing/Retail
TREND TIMESCALES
  • Megatrends - 10-50 years
  • Socio-Cultural Trends - 5-10 years
  • Consumer Trends - 2-5 years
  • Behavioural Trends - Months to 1 year
TRENDS FRAMEWORK
  • Megatrend - Impacts of Climate Change
  • Socio-Cultural - Environmental and Social Awakening due to Climate Change
  • Consumer - Urban and Educated Youths re-thinking Consumption 
  • Behavioural - Green Practices
DOMINANT TRENDS
  • Megatrends - Globalisation/Digital/Environment/Health and Wellbeing
  • Socio-Cultural - Ageless Society/Body Perfection/Networked Society/Personalisation/Globalisation

"Going around museums and galleries, seeing films, talking to people, seeing new shops, looking at silly magazines, taking an interest in the activities of people in the street, looking at art, travelling: all these things are not useful, all these things do not help me, do not give me any direct stimulation to help my search for something new. And neither does fashion history. The reason for that is that all these things above already exist." - Rei Kawakubo 2013

Monday, 4 November 2013

Brand Modelling


A Brand Model is a great way of clearly outlining and visualising key aspects of a brand, what they stand for and how they aim to be viewed. Dissecting a brand in this way can also help to clarify how a brand differs from its competitors and help you to understand the brand values and the brand essence. 
Below are several images of Brand Models, which I created during a group activity as part of today's seminar. 






Monday, 14 October 2013

The Visual Critic

The Visual Critic
  • Where do ideas come from?
  • What does it mean to be creative?
  • How do I turn my obsession into professional practice
What is obsession?
To obsess means, by dictionary definition, to be continually preoccupied.
Below are 2 video examples of 'obsession' in the form of advertisement by Calvin Klein:


Passion For Fashion
Is this important? 
Should I be obsessed with fashion?
The two videos below present two ideas of what a 'Passion for Fashion' is; the first demonstrated an ideology of extreme luxury, and the second shows a more realistic aspect of the backstage/behind the scenes environment and is somewhat aggressive:



The Paradox of Fashion
Unique or Ubiquitous?


Media and Obsession
How does this media obsession affect or define our perception?
For example, Barack Obama and how different publications present him:




Are you critical of the internet
Do you trust your sources? Try these:
http://www.exactitudes.com/
http://newdandyism.blogspot.com/
http://www.flickr.com/

Do you believe everything you see or hear in the media?
Take a look at these:
Bob – Box of Broadcasts http://bobnational.net/

BE A CIRCUIT BREAKER
Below is an 'inspirational' image and an image from Alexander McQueen's 'Savage Beauty' collection: 



The Visual Critic

Personal S.W.O.T. Analysis




Personal Manifesto